By Susanna Oroyan
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Extra info for Anatomy of a Doll: The Fabric Sculptor's Handbook
And, when you distress wood siding to deepen and emphasize the wood grain, you know it's to model the effects of missing paint and structural failure. As long as you understand what your weathering supposed to represent, chances are good that your models will be more not less convincing as a result of your weathering efforts. is — — learned about weathering with pastels in a article by John Allen way back in 1955. Pastel weathering is probably the easiest technique to learn, the most forgiving, and without a doubt the most subtle.
I sons. First, Polly when the brush tips are just about dry, stroke it up and down on the walls and castings. The idea is to leave only traces of color on the uppermost surfaces. BASICS OF STAINS AND WASHES dry-brushing is a way to bring out texture and by lightening and highlighting it, stains and washes are means by which we can accomplish the opposite by darkening and deepening grooves, recesses, and shadows. You can use any kind of paint to make stains and washes, but may favorites are flat enamels such as Testor's, Pactra, or Humbrol, thinned with mineral spirits.
Use up-and-down brush strokes to simulate the effects of rain and gravity on the dirt. Use several colors, but always keep a real-world effect in mind, and be sure to make one color predominate. If you think you've applied too much chalk, brush most of it away, but be careful not to leave fingerprints in the dust coating. Fingerprints are the reason for what we do next. When you have the chalk powder pushed around where you want it, fix it in place with a light spray first of a clear flat finish.
Anatomy of a Doll: The Fabric Sculptor's Handbook by Susanna Oroyan