Download e-book for iPad: A Fresh Twist on Fabric Folding: 6 Techniques 20 Quilt & by Rebecca Wat

By Rebecca Wat

ISBN-10: 1571203206

ISBN-13: 9781571203205

Rebecca Wat, origami specialist and quiltmaker, surprised quilters in every single place with the extraordinary principles unveiled in wonderful textile Folding. Now shes again with six extra intriguing folding innovations and their many leading edge twists. Twenty initiatives comprise appealing quilts, pillows, or even a bit ladies costume, all with unique folded-fabric elaborations.

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Additional info for A Fresh Twist on Fabric Folding: 6 Techniques 20 Quilt & D,cor Projects

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Opportunities for inspiration abound on the Internet; you can find a challenge in almost every media and size. Generally, to participate in these challenges, you create a piece within the challenge guidelines, upload it, and post a link to a blog or photo-sharing site so that other people in the challenge can see what you’ve done. Try out a variety of sites to see what suits you or jump around as the whim hits you. 40 The BesT of QuilTing ArTs Set Goals and Take Steps Set goals that are realistic; acknowledge what you have control over and what you don’t.

I started by using the foam for the shapes on a Plexiglas base and quickly discovered that I could use the foam sheet as a base plate as well. 5 cm) the paint, and I liked that I didn’t have to wait for any glue or sealer to dry as I had to do with traditional methods. 5 × 61 cm) rectangles Colored pencils Stiff interfacing for batting embroidery floss acrylic paints gallery-wrapped primed canvas Small mist sprayer pointed tool such as a letter opener paintbrushes Trends in surface design 45 Foam sheets are not the only material I use in my collagraphs, but more often than not I now use a foam sheet as my base plate.

Painted with dye Paint dye onto the piece to add color. Now you have a beautiful shibori-dyed piece of fabric. Layer your backing fabric, batting, and shibori cloth. Quilt your piece. I like quilting a design that mirrors the original mokume and ori-nui stitches.  ori-nui stitch Initial stitching line Stitches removed Additional dye painting Trends in surface design 55 ca r v u m sta mpu m Ma rk s of Dis ti nc tio n Laura Wasilowski W h e t h e r y o u ’ r e u S i n g a simple textural stamp or your own individual typeface, a handcarved stamp makes distinctive marks on paper or fabric.

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A Fresh Twist on Fabric Folding: 6 Techniques 20 Quilt & D,cor Projects by Rebecca Wat

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